Original Title | Dialect | Informant | Genre Form | Genre Content | ID | glossed | Audio |
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næs jærrələsləm #,# næs loɒ̯wləsləm | pelym mansi (PM) | Ljalkin, Andrei Petrovich | poetry/song (poe) | Fate Songs (fas) | 1321 | glossed | – |
Text Source | Editor | Collector |
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Kannisto, Artturi - Liimola, Matti (1963): Wogulische Volksdichtung gesammelt und übersetzt von Artturi Kannisto, bearbeitet und herausgegeben von Matti Liimola. VI. Band. Schicksalslieder, Klagelieder, Kinderreime, Rätsel, Verschiedenes. In: Mémoires de la Société Finno-Ougrienne, 134. Helsinki: Suomalais-Ugrilainen Seura, 11-14. | Liimola, Matti; Kuzjomkin, Andrei Aleksejevich | Kannisto & Liimola (KL) |
English Translation | German Translation | Russian Translation | Hungarian Translation |
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"I sang to pass the time, I spoke to pass the time" | – | – | – |
by Riese, Timothy |
Citation |
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Kannisto & Liimola 1963: OUDB Pelym Mansi Corpus. Text ID 1321. Ed. by Eichinger, Viktória. http://www.oudb.gwi.uni-muenchen.de/?cit=1321 (Accessed on 2024-11-11) |
næs jærrələsləm #,# næs loɒ̯wləsləm (glossed version) |
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I sang to pass the time, I told a tale to pass the time. |
2 |
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My [n.n.] father sold me to a Russian house like a fox with full hair. |
3 |
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[sold me to a Russian house] |
4 |
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A good girl, when I fall asleep |
5 |
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I put out a Russian quern shaft as a pillow. |
6 |
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When I wake up |
7 |
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I wake up with a Russian mortar shaft. |
8 |
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A good girl, an able girl, |
9 |
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Whether I was (there) for a short time or for a long time, I don't know. |
10 |
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Suddenly |
11 |
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my brother, the prince, my brother, the boyar, came. |
12 |
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I was bought free from the Russian house with much money. |
13 |
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[to my forest of the Vershina River] |
14 |
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I was brought back to my forest of the Vershina River, the good girl. |
15 |
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Was I being brought for a short time or for a long time, |
16 |
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how should I know. |
17 |
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I reached the forested river stretch. |
18 |
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Something is clacking. |
19 |
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I think, my father's boat is clacking. |
20 |
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When I get there |
21 |
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my father's boat is clacking. |
22 |
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A good girl [to my forest of the Vershina River] |
23 |
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I was brought home to my forest of the Vershina River. |
24 |
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I think, I will start living at home entirely. |
25 |
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My ear did not hear, my voice was not heard. |
26 |
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From some village of Nakatai came a suitor to me. |
27 |
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When I look there, |
28 |
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my father gives me away. |
29 |
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On a four-legged table |
30 |
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my head is sold. |
31 |
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On a four-legged table |
32 |
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my head is merchandised. |
33 |
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A good girl, I was taken away. |
34 |
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I came to the junction of the Ous, |
35 |
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they sat me down for the time it takes for a pot to boil. |
36 |
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The many young men from the headwaters of the Ous |
37 |
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remained behind at the end of the river stretch behind us. |
38 |
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A good woman, I was taken. |
39 |
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Finally, I, the good woman, was brought to the village of Nakatai. |
40 |
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[I was brought] |
41 |
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I was turned towards the village of Nakatai. |
42 |
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When I look, |
43 |
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there stands a hut like a heap of underwater flotsam carried by the current. |
44 |
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A good woman, I was brought inside. |
45 |
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When I look, |
46 |
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there's nothing to wear, there's nothing to eat. |
47 |
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For one-time food |
48 |
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I went to a Russian hut. |
49 |
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A good woman, is this what I wanted? |
50 |
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I decided to sow a sieve of grain. |
51 |
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I look, I have made a bit of livelihood. |
52 |
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I sow one handful and take two, |
53 |
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I sow two and take three. |
54 |
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Only now did I, the good woman, start to live in a hut with girls, a hut with boys. |
55 |
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[start to live] |
56 |
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I let the full-bellied out |
57 |
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I bring the empty-bellied in. |
58 |
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I have settled in all the way. |